World of Noon #2 @ Vilém Flusser Archive

Nov 9, 2018
Berlin Senatsverwaltung für Kultur und Europa

“It is a fact that functionally complex systems are a challenge to creative thought. Were as functionally simple systems are stultifying, idiotic. The complex systems that now are coming about are complex in a structural sense. Whether they will be complex in a functional sense, depends on us (…)”

Vilém Flusser, European Media Art Festival Osnabrück, 1988

Archive in progress, ABA studio, Berlin 2018

On digital archives and artistic praxis


Friday, November 9th, 2 – 5 pm
Vilém Flusser Archive, Universität der Künste, Grunewaldstraße 2–5 Berlin, Room 208

Anita Jóri (HU) (Flusser Archive)
Graham Kelly (UK/NL)
pxFlux (BY/DE)
Viktorija Šiaulytė (LT)

At this upcoming Salon we will discuss topics regarding digital archives and artistic praxis. As the internet has become an even bigger source of knowledge distribution and application; it has also become a place for artistic investigation and presentation. Following the thoughts of the media philosopher Vilém Flusser, we would like to talk about the potentials and challenges of digital databases for artists with research focused practices.

Among over 2500 manuscripts, publications and documents of Flusser’s correspondence, we will look at developments of what he called “the revolution of the technical image” through concepts such as authenticity and originality, private vs. public and the institutional vs. the political and the commercial.

about the participants:

Dr. Anita Jóri (HU) is the scientific supervisor of the Vilém Flusser Archive since October 2016. She will introduce the moving history of the Archive and guide us through a selection of archival material. Jóri completed her master studies in history, pedagogy and applied linguistics at Eötvös Loránd University (Budapest, HU). Her Ph.D. thesis was dealing with the linguistic questions of the discourse community of electronic dance music.

Graham Kelly (UK/NL) is an artist, writer, and filmmaker. His practice is situated in the interface between contemporary forms of image, the physical body, and the environment. Graham will talk about a hypothetical digital materiality citing examples from his artistic practice. His work poses the question: in an increasingly complex system of networked imagery, where are the formal boundaries (if any) of digital archives and experiences?

pxFlux is an online, open source platform that offers a toolset for the exhibition, promotion, distribution, and collection of time-based, computational digital art. Its co-founders Aleksander Komarov (BY), Maxim Tyminko (BY) and Vladimir Minakov (BY). Aleksander and Maxim will talk about forms of sustainable digital data preservation of data, and the potentials of digital techniques to present artworks in ephemeral and unstable media. Together with Maxim and Aleksander, we will look at both how artists adapt their works for online digital media platforms and how these platforms could adapt to artistic needs.

Viktorija Šiaulytė (LT) will present her project ”Good Life” that she developed together with filmmaker Marta Dauliūtė (SE/LT) during their residency at the Flusser Archive in 2018. It is an ongoing research and documentary film project that merges research, moving image, and curatorial practice. ”Good Life” undertakes an investigation into the narrative of innovation and flexibility and its social and political implications. Through interviews, ongoing discussions and group workshops with a selected group of entrepreneurs of the tech startup scene, Šiaulytė and Dauliūtė map the relation between their own position of struggling to deal with the self-management imperative and those who see it as an ever-growing business opportunity. At the heart of the ”Good Life” project lies the question: how can one share critical analysis with people whose worldview is radically different?

about the location:

The Vilém Flusser Archive holds and looks after the literary remains of the cultural theorist Vilém Flusser (1920–1991), who was born in Prague, emigrated in 1940 to Brasil, and returned in the early 1970s to Europe. The archive identifies itself as an intersection in international research on Vilém Flusser, and endeavors to enhance the accessibility of the work of this influential thinker. In addition to its own projects, such as the event and publication series International Flusser Lectures and the editions of the Bochum Lectures from 1991, the Vilém Flusser Archive seeks to promote and support international
publications, scholarly and artistic work and events. The archive holds approximately 2500 manuscripts of essays and books by Flusser, all of his publications, as well as documents of his extensive correspondence.

World of Noon is organized by the Berlin-based artist-initiative ABA (AiR Berlin Alexanderplatz) and generously funded by the Senate Department for Culture and Europe, Berlin.

World of Noon #2, Vilém Flusser Archive Berlin © ABA

World of Noon #2, Vilém Flusser Archive Berlin © ABA

World of Noon #2, Vilém Flusser Archive Berlin © ABA

World of Noon #2, Vilém Flusser Archive Berlin © ABA

World of Noon #2, Vilém Flusser Archive Berlin © ABA